What a Weekend! Potomac Flute Festival
(Top to Botom) Hawk Henries, Michael Graham Allen, Jimi Morehouse & the Snoducks. Thanks to Stuart Hill for photos.
What a weekend!
Here is a photo of the snowstorm that concluded our three days of playing flutes and sharing great community at the 4th Annual Potomac Flute Festival. The flutes you see here are all low A, an innovation of flute maker Jim Morehouse. They are made of rigid foam so there is no need to worry about playing them in a cold, damp snowstorm! They also play beautifully to boot and are a good example of the innovation showcased my many makers at this gathering. Pictured (left to right) are Gary, Jim Morehouse, Jim & Dave)
Friday saw 3 of us from the
Playing techniques with Clint & Vera Goss is a huge highlight of the event for many players and this year Clint Goss has further refined his teaching style with three different skills workshops and a new website launch of Native Flute Background tracks. www.NAFTracks.com. Those who like to play with a CD for musical accompaniment will find all sorts of new tools at this up and running website.
Working with youth through the flute was a strong series of workshops this year. Bob Willasch had folks making PVC flutes in just over an hour! Bo Harris gave first hand account and testimony about how youth have been positively affected with the instrument as well. A vibe or theme this year among presenters (that resonated with me, anyway) seemed to be the idea that truthfully looking back to the elders and tradition in our cultures will have profound positive affect on the present. Working with youth and flutes is another part of this bridge I think.
We had a big didgeridoo contingent this year including some super talented players like Ash Dargan & Tim Whittemore and Hawk Henries. Friday evening Ash Dargan had the audience spellbound one moment and laughing the next. He also led a very positive workshop on the Didge, its original culture, and how to… on Sunday. The energy was strong and well intentioned and old and new faces were smiling. Makes you want to go back to the practice sessions on circular breathing! Oh and let me tell you that Ash has lungs that play a flute every bit as beautifully as he does the didgeridoo. His website has been added to the list at your right too.
Michael Graham Allen (Coyote Oldman) has over 30 years of experience making, playing, recording and reviving the Native American Style Flute. His presence was clearly felt at the gathering this year. His newest effort has been the return of the Anasazi Flute. He has recreated this instrument from the 1200 year old artifacts including its scale. Hearing this instrument in it’s makers hands on Friday night was extraordinary. As a rim blown flute (in the same family as the Japanese Shakuhatsi) the instrument sounds and plays like an entirely different flute. Familiar and yet hauntingly new, we were all spending time at Michael Graham Allen’s booth trying to learn how to play one! A photo at the top here shows Michael Graham Allen in concert playing this flute. He also led a flute history workshop Saturday that was wonderful. The workshop was invaluable at demystifying some of the early and current history of the instrument as well as showcasing what he called his “petting zoo” of historic flutes and accurate reproductions.
The
New to this year’s event was Arvel Bird, who is a champion Scottish and Native American (Paiute) fiddler and flute player. Arvel brought versatility, cultural and historical insight and professionalism to the concert series this year. Playing with Ron and Jeff on stage 2 nights and both teaching and attending workshops in between - it was great to have him at this year’s event. I’ve never seen a musician play his entire set with a nose bleed but this man is unstoppable on stage! To say Arvel is high energy is kind of an understatement…
Hawk Henries has been coming to the Potomac Flute Festival for three years and after so many folks being taken with his playing of flute and didge someone finally asked him to host a concert. I say host because he will tell you that he does not perform or entertain per se. I was at first skeptical of this statement but was soon found nodding in agreement because while his playing is beautiful and skillful, it seems that Hawk is more about sharing his heart and perspective. How he makes his instruments, his culture, his humor, our world and his concerns about it all greatly enhance and color the session in a way that is very different than anything performers did on Friday or Saturday night. Hawk also makes all of his own beautiful instruments with only fire and hand tools at his home in Maine. His site is www.hawkhenries.com
Picture here at the top is Hawk playing one of his flutes in concert
New flutes will be coming to the next circle meeting (Saturday March 10 from